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Elvis Costello and The Attractions / All This Useless Beauty (2001 Rhino Remastered 2-CD Edition)
Жанр: Adult Alternative Pop/Rock, Singer-Songwriter
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2001 (1996)
Издатель (лейбл): Rhino (Warner Bros. Records)
Номер по каталогу: R2 74284
Страна исполнителя (группы): UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:48:18 + 01:08:12 = 01:56:30
Источник (релизер): own collection
Наличие сканов в содержимом раздачи: да
01. The Other End of the Telescope (Elvis Costello / Aimee Mann) 04:08
02. Little Atoms 03:59
03. All This Useless Beauty 04:40
04. Complicated Shadows 04:44
05. Why Can’t a Man Stand Alone? 03:16
06. Distorted Angel 04:35
07. Shallow Grave (Elvis Costello / Paul McCartney) 02:04
08. Poor Fractured Atlas 03:59
09. Starting to Come to Me 02:44
10. You Bowed Down 04:56
11. It’s Time 06:00
12. I Want to Vanish 03:14
01. Almost Ideal Eyes 04:24
02. My Dark Life [with Brian Eno] 06:25
03. That Day Is Done [with The Fairfield Four] (Elvis Costello / Paul McCartney) 05:11
04. What Do I Do Now 04:30
05. The Bridge I Burned 05:23
06. It’s Time [Demo] 04:00
07. Complicated Shadows [Demo] 02:28
08. You Bowed Down [Demo] 04:21
09. Mistress and Maid [Demo] (Elvis Costello / Paul McCartney) 02:20
10. Distorted Angel [Demo] 02:34
11. World's Greatest Optimist [Demo] (Elvis Costello / Aimee Mann) 02:35
12. The Only Flame in Town [Demo] 04:15
13. The Comedians [Demo] 03:10
14. The Days Take Care of Everything [Demo] 04:00
15. Hidden Shame [Demo] 03:59
16. Why Can’t a Man Stand Alone [Demo] 03:01
17. Distorted Angel [Tricky Remix] 05:36
Код:
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 17. November 2018, 19:43
Elvis Costello And The Attractions / All This Useless Beauty [2001 Rhino Remastered CD 1]
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 |  4:07.43 |        32    |    18599
        2  |  4:08.00 |  3:59.25 |     18600    |    36549
        3  |  8:07.25 |  4:40.02 |     36550    |    57551
        4  | 12:47.27 |  4:43.65 |     57552    |    78841
        5  | 17:31.17 |  3:16.18 |     78842    |    93559
        6  | 20:47.35 |  4:34.62 |     93560    |   114171
        7  | 25:22.22 |  2:03.68 |    114172    |   123464
        8  | 27:26.15 |  3:58.50 |    123465    |   141364
        9  | 31:24.65 |  2:43.60 |    141365    |   153649
       10  | 34:08.50 |  4:55.42 |    153650    |   175816
       11  | 39:04.17 |  6:00.28 |    175817    |   202844
       12  | 45:04.45 |  3:13.70 |    202845    |   217389
Track  1
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\01. The Other End of the Telescope.wav
     Pre-gap length  0:00:02.32
     Peak level 97.2 %
     Extraction speed 4.4 X
     Track quality 100.0 %
     Test CRC 073CBD9C
     Copy CRC 073CBD9C
     Accurately ripped (confidence 50)  [9933DEE2]  (AR v2)
     Copy OK
Track  2
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\02. Little Atoms.wav
     Peak level 97.2 %
     Extraction speed 5.0 X
     Track quality 100.0 %
     Test CRC 9D4227B1
     Copy CRC 9D4227B1
     Accurately ripped (confidence 50)  [20CBB830]  (AR v2)
     Copy OK
Track  3
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\03. All This Useless Beauty.wav
     Pre-gap length  0:00:01.05
     Peak level 97.2 %
     Extraction speed 5.5 X
     Track quality 100.0 %
     Test CRC 76DA1F07
     Copy CRC 76DA1F07
     Accurately ripped (confidence 50)  [43E82E91]  (AR v2)
     Copy OK
Track  4
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\04. Complicated Shadows.wav
     Peak level 97.2 %
     Extraction speed 5.4 X
     Track quality 99.9 %
     Test CRC 1872C7BE
     Copy CRC 1872C7BE
     Accurately ripped (confidence 50)  [89FBD3BE]  (AR v2)
     Copy OK
Track  5
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\05. Why Can't a Man Stand Alone.wav
     Peak level 97.2 %
     Extraction speed 5.8 X
     Track quality 100.0 %
     Test CRC 1FCCB69E
     Copy CRC 1FCCB69E
     Accurately ripped (confidence 50)  [75BCBEF1]  (AR v2)
     Copy OK
Track  6
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\06. Distorted Angel.wav
     Peak level 97.2 %
     Extraction speed 6.4 X
     Track quality 100.0 %
     Test CRC 3E2C2D45
     Copy CRC 3E2C2D45
     Accurately ripped (confidence 50)  [57339A85]  (AR v2)
     Copy OK
Track  7
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\07. Shallow Grave.wav
     Peak level 97.2 %
     Extraction speed 5.8 X
     Track quality 100.0 %
     Test CRC EAE49202
     Copy CRC EAE49202
     Accurately ripped (confidence 50)  [21A7DEB8]  (AR v2)
     Copy OK
Track  8
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\08. Poor Fractured Atlas.wav
     Pre-gap length  0:00:02.10
     Peak level 97.2 %
     Extraction speed 6.8 X
     Track quality 100.0 %
     Test CRC D83096A9
     Copy CRC D83096A9
     Accurately ripped (confidence 50)  [BF03D24B]  (AR v2)
     Copy OK
Track  9
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\09. Starting to Come to Me.wav
     Peak level 97.2 %
     Extraction speed 6.5 X
     Track quality 100.0 %
     Test CRC 3BB093A8
     Copy CRC 3BB093A8
     Accurately ripped (confidence 50)  [88C8AEE4]  (AR v2)
     Copy OK
Track 10
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\10. You Bowed Down.wav
     Peak level 97.2 %
     Extraction speed 7.3 X
     Track quality 100.0 %
     Test CRC 5F23E182
     Copy CRC 5F23E182
     Accurately ripped (confidence 50)  [53A5B2BE]  (AR v2)
     Copy OK
Track 11
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\11. It's Time.wav
     Peak level 97.2 %
     Extraction speed 7.7 X
     Track quality 100.0 %
     Test CRC 60A8DC7F
     Copy CRC 60A8DC7F
     Accurately ripped (confidence 50)  [B5A739D3]  (AR v2)
     Copy OK
Track 12
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc One~ The Main Album\12. I Want to Vanish.wav
     Pre-gap length  0:00:01.55
     Peak level 97.2 %
     Extraction speed 7.3 X
     Track quality 100.0 %
     Test CRC 5C85AD8C
     Copy CRC 5C85AD8C
     Accurately ripped (confidence 49)  [3C1CCF19]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: 8tEH3clsn3btURuTu4NLPGebBpk-] found
Submit result: 8tEH3clsn3btURuTu4NLPGebBpk- has been confirmed
Track | CTDB Status
  1   | (30/30) Accurately ripped
  2   | (29/30) Accurately ripped
  3   | (29/30) Accurately ripped
  4   | (29/30) Accurately ripped
  5   | (29/30) Accurately ripped
  6   | (29/30) Accurately ripped
  7   | (29/30) Accurately ripped
  8   | (29/30) Accurately ripped
  9   | (29/30) Accurately ripped
 10   | (29/30) Accurately ripped
 11   | (29/30) Accurately ripped
 12   | (29/30) Accurately ripped
==== Log checksum 0FF302DCEE35830229D4D7A180EDA3A9E87B95E9C1ADB932852AC91B831A1F50 ====
Код:
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 17. November 2018, 20:46
Elvis Costello / All This Useless Beauty [2001 Rhino Remastered CD 2]
Used drive  : ASUS    BW-12D1S-U   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 |  4:23.43 |        32    |    19799
        2  |  4:24.00 |  6:25.20 |     19800    |    48694
        3  | 10:49.20 |  5:11.00 |     48695    |    72019
        4  | 16:00.20 |  4:29.60 |     72020    |    92254
        5  | 20:30.05 |  5:23.30 |     92255    |   116509
        6  | 25:53.35 |  4:00.27 |    116510    |   134536
        7  | 29:53.62 |  2:27.55 |    134537    |   145616
        8  | 32:21.42 |  4:21.30 |    145617    |   165221
        9  | 36:42.72 |  2:20.25 |    165222    |   175746
       10  | 39:03.22 |  2:33.60 |    175747    |   187281
       11  | 41:37.07 |  2:34.63 |    187282    |   198894
       12  | 44:11.70 |  4:14.70 |    198895    |   218014
       13  | 48:26.65 |  3:09.50 |    218015    |   232239
       14  | 51:36.40 |  4:00.00 |    232240    |   250239
       15  | 55:36.40 |  3:59.05 |    250240    |   268169
       16  | 59:35.45 |  3:01.27 |    268170    |   281771
       17  | 62:36.72 |  5:35.40 |    281772    |   306936
Track  1
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\01. Almost Ideal Eyes.wav
     Pre-gap length  0:00:02.32
     Peak level 97.2 %
     Extraction speed 4.3 X
     Track quality 99.9 %
     Test CRC 08D03E58
     Copy CRC 08D03E58
     Accurately ripped (confidence 51)  [90CC1F01]  (AR v2)
     Copy OK
Track  2
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\02. My Dark Life [with Brian Eno].wav
     Pre-gap length  0:00:01.70
     Peak level 97.2 %
     Extraction speed 5.6 X
     Track quality 100.0 %
     Test CRC E8547C27
     Copy CRC E8547C27
     Accurately ripped (confidence 51)  [BA9B0273]  (AR v2)
     Copy OK
Track  3
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\03. That Day Is Done [with The Fairfield Four].wav
     Pre-gap length  0:00:03.63
     Peak level 93.9 %
     Extraction speed 5.9 X
     Track quality 100.0 %
     Test CRC 9006A94C
     Copy CRC 9006A94C
     Accurately ripped (confidence 51)  [2A4FC057]  (AR v2)
     Copy OK
Track  4
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\04. What Do I Do Now.wav
     Pre-gap length  0:00:01.53
     Peak level 81.6 %
     Extraction speed 6.2 X
     Track quality 100.0 %
     Test CRC 307BE9CA
     Copy CRC 307BE9CA
     Accurately ripped (confidence 51)  [2AB6DE05]  (AR v2)
     Copy OK
Track  5
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\05. The Bridge I Burned.wav
     Pre-gap length  0:00:03.03
     Peak level 97.2 %
     Extraction speed 6.6 X
     Track quality 100.0 %
     Test CRC 92F514BF
     Copy CRC 92F514BF
     Accurately ripped (confidence 51)  [18071C28]  (AR v2)
     Copy OK
Track  6
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\06. It's Time [Demo].wav
     Peak level 76.6 %
     Extraction speed 6.0 X
     Track quality 99.9 %
     Test CRC BB895F15
     Copy CRC BB895F15
     Accurately ripped (confidence 51)  [8C8C0CAC]  (AR v2)
     Copy OK
Track  7
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\07. Complicated Shadows [Demo].wav
     Peak level 75.6 %
     Extraction speed 5.4 X
     Track quality 99.9 %
     Test CRC 210D3ADA
     Copy CRC 210D3ADA
     Accurately ripped (confidence 51)  [ECEBD73F]  (AR v2)
     Copy OK
Track  8
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\08. You Bowed Down [Demo].wav
     Peak level 98.6 %
     Extraction speed 7.3 X
     Track quality 100.0 %
     Test CRC 9735AF44
     Copy CRC 9735AF44
     Accurately ripped (confidence 51)  [54EF3772]  (AR v2)
     Copy OK
Track  9
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\09. Mistress And Maid [Demo].wav
     Pre-gap length  0:00:01.72
     Peak level 76.8 %
     Extraction speed 6.6 X
     Track quality 100.0 %
     Test CRC D1F0C0A5
     Copy CRC D1F0C0A5
     Accurately ripped (confidence 51)  [7AEEDA0E]  (AR v2)
     Copy OK
Track 10
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\10. Distorted Angel [Demo].wav
     Pre-gap length  0:00:02.00
     Peak level 75.3 %
     Extraction speed 7.0 X
     Track quality 100.0 %
     Test CRC 60ED02C7
     Copy CRC 60ED02C7
     Accurately ripped (confidence 51)  [61156D1D]  (AR v2)
     Copy OK
Track 11
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\11. World's Greatest Optimist [Demo].wav
     Pre-gap length  0:00:01.12
     Peak level 56.1 %
     Extraction speed 7.0 X
     Track quality 100.0 %
     Test CRC B5483803
     Copy CRC B5483803
     Accurately ripped (confidence 51)  [C4C2E4B4]  (AR v2)
     Copy OK
Track 12
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\12. The Only Flame In Town [Demo].wav
     Pre-gap length  0:00:01.73
     Peak level 52.0 %
     Extraction speed 6.9 X
     Track quality 99.9 %
     Test CRC FFE0A9B4
     Copy CRC FFE0A9B4
     Accurately ripped (confidence 51)  [CFEBBF61]  (AR v2)
     Copy OK
Track 13
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\13. The Comedians [Demo].wav
     Peak level 81.8 %
     Extraction speed 7.6 X
     Track quality 100.0 %
     Test CRC C1C80312
     Copy CRC C1C80312
     Accurately ripped (confidence 51)  [7D8B051A]  (AR v2)
     Copy OK
Track 14
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\14. The Days Take Care Of Everything [Demo].wav
     Pre-gap length  0:00:02.55
     Peak level 57.4 %
     Extraction speed 7.1 X
     Track quality 99.9 %
     Test CRC B5DB818B
     Copy CRC B5DB818B
     Accurately ripped (confidence 50)  [EABF2250]  (AR v2)
     Copy OK
Track 15
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\15. Hidden Shame [Demo].wav
     Pre-gap length  0:00:01.63
     Peak level 93.7 %
     Extraction speed 8.2 X
     Track quality 100.0 %
     Test CRC 1EF83939
     Copy CRC 1EF83939
     Accurately ripped (confidence 50)  [A08469AD]  (AR v2)
     Copy OK
Track 16
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\16. Why Can't A Man Stand Alone [Demo].wav
     Pre-gap length  0:00:01.35
     Peak level 74.4 %
     Extraction speed 8.0 X
     Track quality 100.0 %
     Test CRC AC47776C
     Copy CRC AC47776C
     Accurately ripped (confidence 50)  [07087357]  (AR v2)
     Copy OK
Track 17
     Filename E:\Torrents of Autumn\Costello, Elvis [1996] All This Useless Beauty (2001 reissue with a bonus disc)\Disc Two~ Bonus Materials\17. Distorted Angel [Tricky Remix].wav
     Pre-gap length  0:00:01.62
     Peak level 78.7 %
     Extraction speed 8.9 X
     Track quality 100.0 %
     Test CRC 571B216B
     Copy CRC 571B216B
     Accurately ripped (confidence 51)  [599B58B1]  (AR v2)
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Код:
REM GENRE Rock
REM DATE 1996
REM DISCID A80B520C
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Elvis Costello And The Attractions"
TITLE "All This Useless Beauty [2001 Rhino Remastered CD 1]"
REM COMPOSER "Elvis Costello"
FILE "01. The Other End of the Telescope.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Other End of the Telescope"
    PERFORMER "Elvis Costello And The Attractions"
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    PREGAP 00:00:32
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FILE "02. Little Atoms.wav" WAVE
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    PERFORMER "Elvis Costello And The Attractions"
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    INDEX 01 00:00:00
  TRACK 03 AUDIO
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    PERFORMER "Elvis Costello And The Attractions"
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FILE "03. All This Useless Beauty.wav" WAVE
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FILE "04. Complicated Shadows.wav" WAVE
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FILE "10. You Bowed Down.wav" WAVE
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FILE "11. It's Time.wav" WAVE
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Код:
REM GENRE Rock
REM DATE 1996
REM DISCID 100FFC11
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Elvis Costello"
TITLE "All This Useless Beauty [2001 Rhino Remastered CD 2]"
REM COMPOSER "Elvis Costello"
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  TRACK 01 AUDIO
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    PERFORMER "Elvis Costello"
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    PREGAP 00:00:32
    INDEX 01 00:00:00
  TRACK 02 AUDIO
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    PERFORMER "Elvis Costello"
    REM COMPOSER "Elvis Costello"
    INDEX 00 04:21:48
FILE "02. My Dark Life [with Brian Eno].wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "That Day Is Done [with The Fairfield Four]"
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    REM COMPOSER "Elvis Costello / Paul McCartney"
    INDEX 00 06:21:32
FILE "03. That Day Is Done [with The Fairfield Four].wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
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    INDEX 00 05:09:22
FILE "04. What Do I Do Now.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
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    INDEX 00 04:26:57
FILE "05. The Bridge I Burned.wav" WAVE
    INDEX 01 00:00:00
FILE "06. It's Time [Demo].wav" WAVE
  TRACK 06 AUDIO
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    PERFORMER "Elvis Costello"
    REM COMPOSER "Elvis Costello"
    INDEX 01 00:00:00
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  TRACK 07 AUDIO
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    REM COMPOSER "Elvis Costello"
    INDEX 01 00:00:00
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    INDEX 01 00:00:00
  TRACK 09 AUDIO
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    INDEX 00 04:19:33
FILE "09. Mistress And Maid [Demo].wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
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    INDEX 00 02:18:25
FILE "10. Distorted Angel [Demo].wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
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    INDEX 00 02:32:48
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    INDEX 01 00:00:00
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    INDEX 01 00:00:00
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    INDEX 01 00:00:00
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    INDEX 01 00:00:00
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    PERFORMER "Elvis Costello"
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    INDEX 00 03:58:12
FILE "15. Hidden Shame [Demo].wav" WAVE
    INDEX 01 00:00:00
  TRACK 16 AUDIO
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    INDEX 01 00:00:00
  TRACK 17 AUDIO
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As other double-disc reissues, this edition offers the songwriter's insightful commentary and background information about the album.
When Elvis Costello’s first record was released in 1977, his bristling cynicism and anger linked him with the punk and new wave explosion. A cursory listen to My Aim Is True proves that the main connection that Costello had with the punks was his unbridled passion; he tore through rock’s back pages taking whatever he wanted, as well as borrowing from country, Tin Pan Alley pop, reggae, and many other musical genres. Over his career, that musical eclecticism distinguished his records as much as his fiercely literate lyrics. Because he supported his lyrics with his richly diverse music, Costello emerged as one of the most innovative, influential, and best songwriters since Bob Dylan.
The son of British bandleader Ross McManus, Costello (born Declan McManus) worked as a computer programmer during the early ’70s, performing under the name D.P. Costello in various folk clubs. In 1976, he became the leader of country-rock group Flip City. During this time, he recorded several demo tapes of his original material with the intention of landing a record contract. A copy of these tapes made its way to Jake Riviera, one of the heads of the fledgling independent record label Stiff. Riviera signed Costello to Stiff as a solo artist in 1977; the singer/songwriter adopted the name Elvis Costello at this time, taking his first name from Elvis Presley and his last name from his mother’s maiden name.
With former Brinsley Schwarz bassist Nick Lowe producing, Costello began recording his debut album with the American band Clover providing support. “Less Than Zero,” the first single released from these sessions, appeared in April of 1977. The single failed to chart, as did its follow-up, “Alison,” which was released the following month. By the summer of 1977, Costello’s permanent backing band had been assembled. Featuring bassist Bruce Thomas, keyboardist Steve Nieve, and drummer Pete Thomas (no relation to Bruce), the group was named the Attractions; they made their live debut in July of 1977.
Costello’s debut album, My Aim Is True, was released in the summer of 1977 to positive reviews; the album climbed to number 14 on the British charts but it wasn’t released on his American label, Columbia Records, until later in the year. Along with Nick Lowe, Ian Dury, and Wreckless Eric, Costello participated in the Stiffs Live package tour in the fall. At the end of the year, Jake Riviera split from Stiff Records to form Radar Records, taking Costello and Lowe with him. Costello’s last single for Stiff, the reggae-inflected “Watching the Detectives,” became his first hit, climbing to number 15 at the end of the year.
This Year’s Model, Costello’s first album recorded with the Attractions, was released in the spring of 1978. A rawer, harder-rocking record than My Aim Is True, This Year’s Model was also a bigger hit, reaching number four in Britain and number 30 in America. Released the following year, Armed Forces was a more ambitious and musically diverse album than either of his previous records. It was another hit, reaching number two in the U.K. and cracking the Top Ten in the U.S. “Oliver's Army,” the first single from the album, also peaked at number two in Britain; none of the singles from Armed Forces charted in America. In the summer of 1979, he produced the self-titled debut album by the Specials, the leaders of the ska revival movement.
In February of 1980, the soul-influenced Get Happy!! was released; it was the first record on Riviera’s new record label, F-Beat. Get Happy!! was another hit, peaking at number two in Britain and number 11 in America. Later that year, a collection of B-sides, singles, and outtakes called Taking Liberties was released in America; in Britain, a similar album called Ten Bloody Marys & Ten How’s Your Fathers appeared as a cassette-only release, complete with different tracks than the American version.
Costello and the Attractions released Trust in early 1981; it was Costello’s fifth album in a row produced by Nick Lowe. Trust debuted at number nine in the British charts and worked its way into the Top 30 in the U.S. During the spring of 1981, Costello and the Attractions began recording an album of country covers with famed Nashville producer Billy Sherrill, who recorded hit records for George Jones and Charlie Rich, among others. The resulting album, Almost Blue, was released at the end of the year to mixed reviews, although the single “A Good Year for the Roses” was a British Top Ten hit.
Costello’s next album, Imperial Bedroom (1982), was an ambitious set of lushly arranged pop produced by Geoff Emerick, who engineered several of the Beatles’ most acclaimed albums. Imperial Bedroom received some of his best reviews, yet it failed to yield a Top 40 hit in either England or America; the album did debut at number six in the U.K. For 1983’s Punch the Clock, Costello worked with Clive Langer and Alan Winstanley, who were responsible for several of the biggest British hits in the early ’80s. The collaboration proved commercially successful, as the album peaked at number three in the U.K. (number 24 in the U.S.) and the single “Everyday I Write the Book” cracked the Top 40 in both Britain and America. Costello tried to replicate the success of Punch the Clock with his next record, 1984’s Goodbye Cruel World, but the album was a commercial and critical failure.
After the release of Goodbye Cruel World, Costello embarked on his first solo tour in the summer of 1984. Costello was relatively inactive during 1985, releasing only one new single (“The People’s Limousine,” a collaboration with singer/songwriter T-Bone Burnett released under the name the Coward Brothers) and producing Rum Sodomy and the Lash, the second album by the punk-folk band the Pogues. Both projects were indications that he was moving toward a stripped-down, folky approach, and 1986’s King of America confirmed that suspicion. Recorded without the Attractions and released under the name the Costello Show, King of America was essentially a country-folk album and it received the best reviews of any album he had recorded since Imperial Bedroom. It was followed at the end of the year by the edgy Blood and Chocolate, a reunion with the Attractions and producer Nick Lowe. Costello would not record another album with the Attractions until 1994.
During 1987, Costello negotiated a new worldwide record contract with Warner Bros. and began a songwriting collaboration with Paul McCartney. Two years later, he released Spike, the most musically diverse collection he had ever recorded. Spike featured the first appearance of songs written by Costello and McCartney, including the single “Veronica.” “Veronica” became his biggest American hit, peaking at number 19. Two years later, he released Mighty Like a Rose, which echoed Spike in its diversity, yet it was a darker, more challenging record. In 1993, Costello collaborated with the Brodsky Quartet on The Juliet Letters, a song cycle that was the songwriter’s first attempt at classical music; he also wrote an entire album for former Transvision Vamp singer Wendy James called Now Ain’t the Time for Your Tears. That same year, Costello licensed the rights to his pre-1987 catalog (My Aim Is True to Blood and Chocolate) to Rykodisc in America.
Costello reunited with the Attractions to record the majority of 1994’s Brutal Youth, the most straightforward and pop-oriented album he had recorded since Goodbye Cruel World. The Attractions backed Costello on a worldwide tour in 1994 and played concerts with him throughout 1995. In 1995, he released his long-shelved collection of covers, Kojak Variety. In the spring of 1996, Costello released All This Useless Beauty, which featured a number of original songs he had given to other artists but never recorded himself. Painted from Memory, a collaboration with the legendary Burt Bacharach, followed in 1998. The album was a success critically, but it only succeeded in foreign markets, outside of their home countries of the United States and Britain. A jazz version of the record made with Bill Frisell was put on hold when Costello’s label began to freeze up due to political maneuvering. Undaunted, Costello and Bacharach hit the road and performed in the States and Europe. Then, after Bacharach left, Costello added Steve Nieve to the tour and traveled around the world on what they dubbed the Lonely World Tour. This took them into 1999, when both Notting Hill and Austin Powers: The Spy Who Shagged Me featured significant contributions from Costello. In fact, he appeared with Bacharach in the latter as one of a pair of Carnaby Street musicians, albeit street musicians with a gorgeous grand piano at their disposal.
Continuing his tour with Nieve, he began singing the last song without a microphone, forcing the audience to sit in complete silence as he usually performed “Couldn’t Call It Unexpected, No. 4” with nothing but his dulcet baritone filling the auditorium. After the record company’s various mergers ended, Costello found himself on Universal Records and tested their promotional abilities with a second greatest-hits record (The Very Best of Elvis Costello). The label promoted the album strongly, making it a hit in his native Britain. Unfortunately, they also made it clear that they had no intention of giving a new album the same promotional push, leaving him to venture into other fields as he awaited the end of his record contract. His first project was an album of pop standards performed with Anne Sofie Von Otter, which included a few songs originally written by Costello. The album was released in March 2001 on the Deutsche Grammophon label, neatly coinciding with the extensive re-release of his entire catalog up to 1996 under Rhino Records. Each disc included an extra CD of rare material and liner notes written by Costello himself, making them incredible treats for fans.
In 2001, he found himself with a residency at UCLA, where he performed several concerts and was instrumental in teaching music during the year. He also began work on a self-produced album that featured Pete Thomas and Nieve—now billed as a band called the Imposters—entitled When I Was Cruel, and the album finally found release via Island Records in the spring of 2002; at the end of the year, he released a collection of B-sides and leftovers from the album’s sessions entitled Cruel Smile.
When I Was Cruel kicked off another productive era for the ever prolific Costello. In 2003, he returned with North, a collection of classically styled pop songs pitched halfway between Gershwin and Sondheim. The next year, he collaborated with his new wife, Diana Krall, on her first collection of original material, The Girl in the Other Room. That fall, Costello released two albums of his own original material: a classical work entitled Il Sogno and the concept album The Delivery Man, a rock & roll record cut with the Imposters. Issued in 2006, My Flame Burns Blue was a live album with Costello fronting the 52-piece jazz orchestra the Metropole Orkest; the release featured classic Costello songs (with new orchestral arrangements) alongside new compositions and a performance of the entire Il Sogno.
The River in Reverse, a collaboration with R&B legend Allen Toussaint, arrived in 2006, followed by Momofuku, another effort credited to Elvis Costello & the Imposters, in 2008. That same year, Costello teamed up with veteran producer T-Bone Burnett for a series of recording sessions, the results of which were compiled into Secret, Profane & Sugar Cane and readied for release in early 2009. The pair also recorded a second album, National Ransom, which appeared the following year. In 2011, Costello & the Imposters released The Return of the Spectacular Spinning Songbook!!!, which was recorded live over a two-day stint at the Wiltern in Los Angeles. The next year or so was relatively quiet for Costello, but at the end of 2012 he did release a new compilation called In Motion Pictures, which rounded up songs he contributed to films.
Costello devoted himself to working with hip-hop band the Roots in 2013. Originally planned as a re-interpretation of songs from his vast catalog, the album Wise Up Ghost turned into a full-fledged collaboration and was greeted by positive reviews upon its September 2013 release on Blue Note. In 2015, Costello announced that he was completing work on his memoirs, and that the book, titled Unfaithful Music & Disappearing Ink, was scheduled for publication in October 2015. Costello also compiled a companion album, Unfaithful Music & Soundtrack Album, which featured a career-spanning selection of songs from his catalog, as well as two previously unreleased selections. (Stephen Thomas Erlewine, AllMusic)
Following his second covers album, Kojak Variety, Elvis Costello set out to assemble a collection of songs he had written for other artists but never recorded himself—sort of a reverse covers album. As it turned out, that idea was only used as a launching pad—the resulting album, All This Useless Beauty, is a mixture of nine old and three new songs. Given its origins, it’s surprising that the record holds together as well as it does. The main strength of All This Useless Beauty is the quality of the individual songs—each song can stand on its own as an individual entity, as the music is as sharp as the lyrics. Although the music is certainly eclectic, it’s accessible, which wasn’t the case with Mighty Like a Rose. Furthermore, the production is more textured and punchier than Mitchell Froom’s botched job on Brutal Youth. All This Useless Beauty doesn’t quite add up to a major statement, but the simple pleasures it offers makes it one of the more rewarding records of the latter part of Costello’s career.
Arriving at the end of his stint at Warner Bros., All This Useless Beauty is one of Elvis Costello’s overlooked records, which is a shame since it’s a fine album—a clearing-house of old songs, tunes he co-wrote with other artists (who recorded them initially), and songs he had written for other songs and brand new artists. It’s a wild, diverse record that showcases not just his strengths as a songwriter, but the depth of his catalog—particularly since he was tying up a lot of loose ends, working with new collaborators, and finishing off old songs, while putting an end to the Attractions. There were a lot of songs that didn’t make it to the record for various reasons, most notably the B-side “Almost Ideal Eyes” and “My Dark Life,” a superb collaboration with Brian Eno that later surfaced on an X-Files soundtrack. Then, when the album started failing on the charts, Costello dreamed up the idea of weekly singles with new B-sides, including covers of songs from the album by contemporary artists (including Sleeper and Lush). Among these B-sides were a remix of “Distorted Angel” by Tricky and a lovely understated version of Sleeper’s “What Do I Do Now.” All of the previously mentioned songs are present on the endlessly fascinating bonus disc of Rhino’s 2001 expanded reissue of All This Useless Beauty. Costello and compilers chose not to take the completist route and pile on all the B-sides from that month of singles, instead choosing to fill out the bulk of the disc with demos. Many of these are for songs on the album itself, but there are just as many for songs that aren’t on the record. As Costello explains in his terrific notes, “If I had wanted to simply make this an album of songs written for other artists, I might have included a number of the titles that you may now find on the second CD.” This means there are retooled demos of “The Comedians” and “The Only Flame in Town,” which were intended for Roy Orbison (who recorded the song) and Aaron Neville (who didn’t), respectively. Then, there are two songs from the record that were sent to Sam Moore (“Why Can’t a Man Stand Alone?”) and Johnny Cash (“Complicated Shadows,” given a very Tennessee Two reading by Costello here), plus “Hidden Shame,” which Cash did record. The two major finds are Costello’s demo of the McCartney/MacManus composition “Mistress and Maid” (which McCartney did cut) and “The World’s Great Optimist,” a song co-written with Aimee Mann, which showed up in a reworked version as “The Fall of the World’s Own Optimist” on her Bachelor No. 2. Finally, there’s “The Bridge I Burned,” a wonderful collage that initially appeared on the Warner Bros. overview Extreme Honey (when it was released then, Costello intended to quote/sample Prince’s “Pop Life” but was denied permission; once again, he was denied permission to use it for this reissue). That's quite a haul, but it’s absolutely worth it, the most revelatory and fascinating bonus disc in the first wave of Costello reissues—a work that whets the appetite for the reissues of the rest of the catalog. (Stephen Thomas Erlewine, AllMusic)
Please see the enclosed copy of the booklet (pp. 26-27) for detailed descriptions of the participants.
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